GALERIE DIURNE

GALERIE DIURNE

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The paintings that form the starting point of this collection were initially conceived as surfaces to be inhabited rather than mere images to be contemplated. From this dual purpose arose a desire to explore the possibilities of tapestry. Noémi Langlois-Meurinne has found in textiles a new means of expression for her minimalist compositions and her masterful use of muted color schemes.
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The paintings that form the starting point of this collection were initially conceived as surfaces to be inhabited rather than mere images to be contemplated. From this dual purpose arose a desire to explore the possibilities of tapestry. Noémi Langlois-Meurinne has found in textiles a new means of expression for her minimalist compositions and her masterful use of muted color schemes.
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This rug can be edited according to the characteristics present, or homothetically, to the desired dimensions. Any modification of proportion, color or texture requires the agreement of the creator.

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The use of a vocabulary of elemental forms — windows, interstices, corners — gives rise to a poetics of space that echoes that developed by Gaston Bachelard.
The work of Noémi Langlois-Meurinne invites contemplation, set apart from chaos. It evokes the idea of shelter, as a serene refuge, a haven withdrawn from view. The lines are never quite straight ; the surfaces retain traces of the hand in the act of drawing. Imperfection is not an error but a language. The material is hollowed out and carved, then partially recomposed to render perceptible what unfolds in the background. Through these openings, the beauty of shadow comes to the surface, offering a moment of respite and the possibility of escape.
Vincent Leroux

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